…and all I got was this frakkin’ t-shirt!
[Get it on a shirt @ 80stees.com]
[Via]
The Moon from Luna 9. Credit: Jodrell Bank Centre for Astrophysics, University of Manchester
February 3, 1966: The first spacecraft to land on any non-Earth planetary body, the Soviet Union’s unmanned Luna 9 reaches the Moon.
Equipped with radio and television capability, heat control system, power sources and a radiation detector, the payload touched down in Oceanus Procellarum (“Ocean of Storms”). Immediately thereafter, the four-panel seal opened and Luna 9 set to work, recording eight hours and five minutes of radio and a series of three television broadcasts, which were transmitted back to Earth over the course of the three-day life of the lander. These images created the first panoramic photographs of the Moon’s surface.
The most important discoveries from this mission were not related to the images, though. Luna 9’s landing showed that the lunar surface was hard enough to support landing equipment (as it was previously thought that crafts would sink into the dust) and that the Moon receives 0.3 milligrays of radiation on average, or about 20% as much as an x-ray.
Tags: Luna 9, Soviet space craft, the Moon
Home video box art is a dying field. There was a time when the artwork on the box was just about the only thing that convinced people to rent the movie from the local video store. I can remember as a kid, the cover art for videos such as Chopping Mall and Headless Eyes always fascinated/disturbed me enough to want to watch them as soon as my parents would let me rent rated R movies.
Today, though, with all the “floating heads” and other Photoshop disasters staring back at you from the shelf at Blockbuster, there’s very little to make you want to pick up a movie you’ve never heard of before. In fact, most DVD cases look like they were designed by a summer intern using MS Paint.
Modern home video covers are nothing like the awesomeness that can be found over at Monster Brains, where they have a great gallery of 1980s VHS covers from foreign sci-fi, action/adventure, and horror films. They just don’t make ’em like this anymore…
I think my personal favorite is Bruce Lee Fights Back From the Grave, including “borrowed” artwork from Meatloaf’s seminal album, Bat Out of Hell.
Tell me you don’t want to track these movies down and watch them immediately. I mean, guys with alligator heads! A melting reporter wearing a fedora! How could you possibly go wrong by renting these?
The first iPad exclusive daily newspaper — known simply as The Daily — has now launched, along with Apple’s new option for customers to pay for subscriptions within an application itself. I’ve downloaded and read the first two issues, and here’s my take.
The Daily certainly makes use of the iPad’s multimedia capabilities, and largely in a way that doesn’t feel gimmicky. Full-screen pictures look great and there are plenty of videos and even a few “live” Twitter feeds. There’s a “carousel” allowing users to flick through previews of the pages, though the total content is slim enough that simply going from page to page in order isn’t a major chore.
There are a few quirks that need to be worked out, though. For example, the Daily uses a system common in other newspaper apps by which the text of some stories only appears in one orientation, and a picture gallery appears when you rotate the screen. Unfortunately, at the moment, flicking through the gallery and then rotating the screen back to text drops the reader on the last page of the story, meaning they have to flick backwards to read it.
From an editorial point, the newspaper is as American-centric (and big city-centric) as you might have expected. From a technical standpoint, the multimedia sports coverage is excellent, but given the timing, is inevitably dominated by the Super Bowl build up.
One of the key selling points is that, as opposed to simply rewriting new agency copy or trimming down stories from other News Corporation titles, the Daily does produce original news stories. The most high-profile are reports from the protests in Cairo by on-the-spot correspondents, while there are also some genuinely investigative and original pieces such as a report on Amish farmers running smuggling operations to illegally sell unpasteurized milk to New York City foodies.
Some of the other “exclusives” are disappointing: a much touted video interview with Gabrielle Giffords turns out to be a clip from early January in which she touts the iPad, which comes off as exploitative.
Outside of the news and editorial sections, things are very lightweight, giving the overall impression that the Daily is the New York Post on its best behavior. There is a neat section in which a celebrity recommends five favorite iPad apps, which suits the concept of the newspaper well.
Advertising will be a key to financial success, making another “bug” a potential problem. There are several full page, multimedia ads, but these are not loaded with the rest of the newspaper and instead load as and when the user gets to the relevant page. It soon becomes clear that if you come to a seemingly-blank page, you’ve got a few seconds to simply flick on by without ever seeing the ad.
Another issue, which is likely a teething problem, is that the people behind the Daily don’t seem to have found a clear answer to the question of whether it is a newspaper of a “live” news site. At the moment, there’s a token effort involving a scrolling news ticker that’s updated during the day, but this doesn’t really offer anything of value.
Altogether, the Daily is absolutely not a replacement for a full-on newspaper: the articles do a good job of giving depth without being a chore to read, but there’s no real attempt at breadth: news junkies certainly won’t consider themselves up to date after reading through. Still, if customers get past the hurdle of paying for content, $40 certainly looks affordable for a year’s subscription.
International readers may like to know that although the Daily is currently only available in the US, it is possible to download it and — it appears — to subscribe. To do this you’ll need to:
Once this is done, you should be able to sign back in to your usual account, then sync the app to your iPad as normal, with each day’s edition arriving as designed. The newspaper is free for the first two weeks, but in the settings I was able to bring up the option to subscribe after this, with the price listed in my currency (UK pounds) at what looks like a straight conversion.
The one downside to this is that it appears you may have to switch to your “US” account to download and install updates to the app itself.
It’s that time of year again. This Sunday millions of Americans will huddle around their televisions and stuff their faces with snack foods while cheering on their favorite group of overpaid athletes.
Ah yes, the Super Bowl. For many of you non-Americans out there who don’t consider the United States the center of the universe, let me explain. The Super Bowl is an American custom where two football (not soccer) teams play in a ‘world’ championship game (conveniently excluding all other countries).
Since its inception in 1967, the Super Bowl has grown into the biggest televised event in America. As a result, marketers pay big bucks (and occasionally their first born) to promote their products on this huge stage. This year the cost is up to $3 million per 30-second spot. So, in order to maximize their investment, advertisers pull out all the stops to make their commercials memorable. Usually the biggest, funniest and most clever commercials of the year premiere during this game. Most Americans will even confess that they watch the Super Bowl as much for the commercials as they do for the game (which, before the days of DVRs, made deciding when to go to the bathroom a squirm-filled dilemma).
During the third quarter of Super Bowl XVIII (the roman numerals make it classy) one of the greatest geek commercials of all time aired – “1984.” It was the commercial that introduced the world to Apple’s Macintosh personal computer. Borrowing from the revered dystopian novel by George Orwell, “Nineteen Eighty-Four,” a young Steve Jobs (with the help of acclaimed ad agency Chiat/Day) envisioned IBM as the tyrannical Big Brother and Apple as the heroic liberators, putting the power back into the people’s hands.
But the geek pedigree for this historic slap-in-the-face doesn’t stop there. Fresh off the heels of helming Alien and Blade Runner, the geek god of world building himself, Ridley Scott, directed the spot. British character actor David Graham, responsible for various roles on Doctor Who, Thunderbirds and other Sci-fi staples of the 60’s and 70’s, portrayed Big Brother in the commercial. Oh, and there was a hot chick swinging a phallic hammer at a huge television screen, which was pretty awesome.
Whether you’re a die-hard Mac fan or would rather die than touch a MacBook, you can’t deny the geek impact of this commercial. Hell, even Futurama did a parody of it in their “Future Stock” episode. Of course, this year’s nerdgasm-inducing commercials from Volkswagen and Chevrolet might give it a run for its money.
So, what’s your favorite moment of geek-vertising?
[Source]
Geek hero Carl Sagan’s moving Pale Blue Dot monologue over Halo Reach footage. If this isn’t the convergence of all things awesome, I shudder to think what might be.
Tags: Carl Sagan, gaming, Halo, Pale Blue Dot, Video
You guys have to check out Volkswagen’s new geektastic Super Bowl commercial, which will air during the game on Sunday, promoting the all new Passat 2012.
[Source]