For now this is just a chiptune remake of the song set over a few images of what could potentially be the most inane game of all time. I’d rank the playability of this somewhere alongside that E.T. for Atari disaster.
That said, the song gets a massive improvement when reimagined in 8-bit (the work of Danny Baranowsky and Adam Atomic). I hate it less, anyway. What I love is the tongue-in-cheek video description:
Before Rebecca Black was even born, somehow a video game was made using her earth-shattering hit, “Friday”. This is the soundtrack to that genre-defining, revolutionary game.